RDF Media Sues Fox Over Ripoff of Acclaimed 'Wife Swap' Reality-TV Series
LOS ANGELES, Dec. 15 -- RDF Media, one of Britain's leading
independent television production companies, charged in a lawsuit filed today
that Fox Broadcasting Company and Rocket Science Laboratories, LLC ripped off
RDF's original, innovative and highly successful "Wife Swap" reality
television series to create their own competing show, "Trading Spouses: Meet
Your New Mommy."
The complaint, filed by prominent entertainment litigator Stanton L.
(Larry) Stein of Alschuler Grossman Stein & Kahan LLP, charges Fox and Rocket
Science, which jointly produce "Trading Spouses," with both copyright and
trade dress infringement, as well as unfair competition. It claims they
attempted to capitalize on the success of RDF's "Wife Swap" by willfully and
illegally developing a show -- "Trading Spouses" -- that incorporated all of
the expressive elements and trade dress of "Wife Swap," versions of which have
aired on British television since January 2003 and in the U.S. on the ABC-TV
network since September 2004.
"In our view, this is the most clear-cut case of copyright theft in the
history of the reality genre," said RDF Director of Programs Stephen Lambert,
the creator and executive producer of "Wife Swap." "It has been widely
reported that Fox has long pursued a strategy of ripping off other people's
intellectual property. RDF intends to take full advantage of the law to put a
stop to it."
According to the lawsuit, Peter Chernin, the president and chief operating
officer of Fox Broadcasting's parent company, News Corp., told Fox executives
in 2003 that he had seen the British version of "Wife Swap" during a visit to
London and that "it was the show everyone was talking about in the United
Kingdom." After discovering that ABC had acquired the U.S. rights to the
show, the suit alleges, Fox and Rocket Science executives decided to copy its
format and trade dress in order to "to confuse viewers and mislead them into
watching 'Trading Spouses' rather than 'Wife Swap US.'" Indeed, at the annual
meeting of the Television Critics Association in Los Angeles last July, Fox
entertainment president Gail Berman acknowledged that Fox specifically
"decided to develop a show similar to ['Wife Swap']."
The suit notes that Fox's "Trading Spouses" has a premise and format
virtually identical to those of "Wife Swap," including the cast of characters,
the structure of each airing of a complete swap, the sequence of events, the
plot, the tone, the theme, the pace, the scene set-ups, the narration, the
dialogue that arises from constructed situations, the contrasting settings,
the structured before-and-after dialogue, the topics explored, the dramatic
and comedic effect created by music, the introductory segment, and even the
opening graphics.
In both "Wife Swap" and "Trading Spouses," two wives with contrasting
values and lifestyles exchange spouses and families for a period of seven and
ten days. During the first half of the trade, each wife must abide by the
rules of the departing wife covering all aspects of household management, from
chore delegation to budgeting, from food preparation to child discipline.
During the second half of the trade, each wife imposes her own rules on her
new household. At the end of the swap, the two wives meet for the first time
and share what they have learned about themselves, their spouses, and each
other during the swap.
In its debut season on ABC, "Wife Swap" has established itself as the most
popular new reality series on primetime television. It has attracted nearly
12 million viewers overall, and in the key 18-49 year old demographic it has
frequently beaten NBC's previously unassailable drama, "Law & Order." The New
York Times, The Washington Post, Time magazine and Entertainment Weekly have
all hailed it as the best new reality series of the year, and it has been
nominated for a People's Choice award for outstanding reality programming.
In its nearly two-year run on British television, the UK version of "Wife
Swap" has garnered numerous national and international accolades including the
British Academy of Film & Television Arts (BAFTA) Award for Best Features &
Factual Entertainment Programme and a Golden Rose in the reality category at
the Rose d'Or Television Festival, Europe's premier television awards.
SOURCE RDF Media
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