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[07/08/26 - 02:01 AM]
Debut Alert - "Big Chicken: A Fast Food Conspiracy" - Date Announcement and Key Art
In a bold 28-day experiment, comedian Mo Gilligan tours the UK and US on a fried chicken diet to uncover the impact of the craving - and industry behind it.

[via press release from Netflix]

Date Announcement and Artwork Debut

One Comedian

28 Days of Fried Chicken

A 100 Billion Dollar Industry

Be afraid. Be very a-fried.

We're pleased to share the date and key art for BIG CHICKEN: A FAST FOOD CONSPIRACY an eye-opening feature-length documentary where the BAFTA-winning comedian, and fried chicken obsessive, Mo Gilligan uncovers what drives our compulsion to eat the fast food staple

Committing to eating nothing but fried chicken 3 times a day for 28 days, Gilligan discovers what it's really doing to our health, the planet and how Big Chicken has had a hold on us for decades.

Produced by the Award-winning team behind LOUIS THEROUX: INSIDE THE MANOSPHERE

BIG CHICKEN: A FAST FOOD CONSPIRACY - Coming To Netflix 5 August

A trailer for BIG CHICKEN will drop on the 22 of July

SOCIAL HANDLES

Mo Gilligan

· Instagram - @mothecomedian

· Facebook - MoGilliganComedy

ABOUT ㅣ BIG CHICKEN: A FAST FOOD CONSPIRACY

Big Chicken: A Fast Food Conspiracy is produced by the award-winning production company Mindhouse (Louis Theroux: Inside the Manosphere) and follows Mo Gilligan in his first documentary for Netflix as he investigates our global fried chicken obsession - and the hidden costs behind our cravings.

A self-proclaimed lover of the food, Mo puts his body to the test in a bold experiment by eating fried chicken 3 times a day for 28 days straight.

Over the course of the month, he embarks on an eye-opening journey from South London to the United States to reveal the historical origins of fried chicken and the social, economic and industrial forces driving our mass consumption of it - from fast-food chains to large-scale farming - and the impact on our health, our planet and the way we eat.

As a Black British comedian, Mo also seeks to reframe perceptions of the dish by confronting negative stereotypes associated with it, examining how it's been culturally appropriated and advertised in today's market.





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